"Saturn Spin Painting" Original Acrylic on Paper by Damien Hirst, 2009
An original acrylic on paper bearing Hirst Studio blindstamp and stamped signature of Damien Hirst on the reverse. On reverse: "This painting was made by / to celebrate the opening / of Damien Hirst, Requiem / at the PinchukArtCentre in Kiev on April 25-26 2009".
In 2009, the Requiem exhibition at Pinchuk Art Centre in Kiev opened with an event, where more than 600 visitors created their own Spin Painting after Damien Hirst. Damien Hirst helped the visitors complete their artworks. To realize this large scale, four Spin Painting machines were installed.
This is an unique work of art painting, not a print. Painting size: 15" x 34". Framed size: 21" x 40.5". Excellent condition. RARE.
Note: "Other Criteria" does not recognize works created at this event as authentic works created by Damien Hirst. (Hirst helped these visitors complete these artworks. He did not execute them solely himself.)
Damien Hirst, in full Damien Steven Hirst (born June 7, 1965, Bristol, Eng.) British assemblagist, painter, and conceptual artist whose deliberately provocative art addresses vanitas and beauty, death and rebirth, and medicine, technology, and mortality. Considered an enfant terrible of the 1990s art world, Hirst presented dead animals in formaldehyde as art. Like the French artist Marcel Duchamp, Hirst employed ready-made objects to shocking effect, and in the process he questioned the very nature of art. In 1995 he won Tate Britain’s Turner Prize, Great Britain’s premier award for contemporary art.
Hirst grew up in Leeds and moved to London in the early 1980s. He began his artistic life as a painter and assemblagist. From 1986 to 1989 he attended Goldsmiths College in London, and during this time he curated an influential student show, “Freeze,” which was attended by the British advertising mogul and art collector Charles Saatchi. The exhibition showcased the work of a group of Hirst’s classmates who later became known as the successful Young British Artists (YBAs) of the 1990s. Hirst’s reputation as both an artist and a provocateur quickly soared. His displays of animals in formaldehyde and his installations complete with live maggots and butterflies were seen as reflections on mortality and the human unwillingness to confront it. Most of his works were given elaborate titles that underscored his general preoccupation with mortality.
Hirst’s later work includes paintings made by spin machines, enlarged ashtrays filled with cigarette butts, monumental anatomical models of the human torso, medicine cabinets filled with pharmaceuticals, other curiosity cabinets filled with found objects, and a diamond-studded platinum-cast human skull entitled For the Love of God, probably the most expensive work of art ever made. His references to other artistic movements and artists are many. The common format of massive vitrines, for example, relies on the precedent of minimalism, while his use of found materials and assistants in making works links him to other artists of the era, such as the American Jeff Koons, who purposefully demystified the role of the artist’s hand. In addition to making art, Hirst wrote books, designed restaurants, collaborated on pop music projects, and experimented with film.
FRAMED: HEIGHT: 21 in | WIDTH: 40½ in
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